Friday, October 23, 2009

Brain wrecks!...

Ha ha - people go on a lot about silly folk whose lives are like train wrecks but this week I am suffering from brain wrecks. I visited the lovely town of Thames on wednesday, reading to children from Thames South School and their parents, grandparents, aunties and uncles in the morning, and then conducting a workshop with adults in the afternoon. Thank you to the kind and welcoming staff of the Thames Library, especially Rachael who made me feel like one of the gang. Gorgeous place.

Friday, I was co-visiting author and official co-library opener with Kyle Mewburn at Owairaka Primary School in Mt Albert. Again I was made to feel so welcomed and staff and children, who had dressed up as favourite characters in some pretty amazing costumes, were wonderful. And to chief organiser Angela, congratulations for organising such a wonderful event. But today I suffer from brain wrecks - the poor little old melon is sucked dry.

Here are some juicy snippets that caught my eye this morning....

1) From today's Weekend Herald - in a review of Cut and Run by Alix Bosco (a pseudonym), reviewer Paul Thomas says, Ego, as revealed by a greater interest in recognition than achievement, often fuels the drive to be a published writer... Wow, thats a bit snippy. There are about a million easier ways to feed one's ego; a million ways over which you have more control, with much better odds of succeeding. Sure, having a publisher say yes or seeing a book with your name on the front cover are ego boosters, but there are many more ego deflating moments than there are ego boosting ones. Your average writer spends most of their time surviving with the aid of something much less fragile. And suggesting recognition rules over achievement - grrr don't get me started...

2) From Graham Beattie's blog posted saturday 24th, Patricia Wood, author of adult novel Lottery, takes a different, and I think very wise view of the relationship authors could be building with booksellers. She suggests it is useful to go past the book signing/launch type deal and the 'do you stock my book and how many copies have you sold' kind of interation, and find ways to help booksellers get more buyers (of any kind) in the shop. If bookshops survive, more authors might survive too, and in the great karmic wheel of life, what goes around, comes around.

3) During my workshop on Wednesday several people asked about how you go about getting an illustrator for your picture book manuscript if you are not an artist. The short answer is, you don't. Check out the latest post at Editorial Anonymous where she discusses this very topic. If you have not submitted a picture book manuscript before I can see how you might believe it essential to have illustrations to accompany your text. I can even, at a pinch, understand how you might wonder that the publisher will see the illustrations as you would like them to be. But folks, this is why they are professionals. They are in the business of producing books that sell (although they aren't always successful at this but it is still their goal) and they know what picture books look like, how they work and 98% of the time they will see the pictures your words suggest. And they know lots of talented and skilled artists/illustrators who will do a fab job. I did not meet the illustrator for The Were-Nana until the book launch but she knew exactly what I was trying to say. So it is best to submit your manuscript by itself. You do not need to attempt your own pictures or find someone to do it for you. If they like your story the publisher will try and find the right illustrator for it.

3 comments:

Pen said...

Thanks for the link to Editorial Anonymous. What a great blog for aspiring PB authors!

Fifi Colston said...

good advice Lone Ranger...
And you scooped the jackpot with Sarah as an illustrator for the Werenana. Imagine if you had gone and found someone with just the wrong kind of style and presented it as a fait accomplis? It might have irrevocably damaged its chances for publication. Hard for a publisher to take just one half of the author duo without hurt feelings all around.
If I had a dollar for every aspiring writer who has said 'Oh so you are an illustrator? Well I have this story I've written...'
I give them all the same answer. "Have you got a contract with a publisher?"
Saves us all alot of heartache.
And there are some direly (is that a word?) illustrated self published books out there. Pics by a well meaning but untrained friend/aunt.
As you can gather, I am very hot on this topic...

Melinda Szymanik said...

And I think people really struggle with the idea that you don't have to 'collaborate' with the illustrator either. Their skill is in visualising the words and I know some illustrators prefer not to speak to the author at all when they do the illustrations so as to be free of influence.

Of course there are some occasions when an artists brief is necessary but this is usually submitted on paper along with the manuscript.

Pen - Editorial anonymous is great